Can.I.Rock.it?

Where Does All Our ‘Vintage’ Clothing Come From

In I spied... on December 12, 2010 at 4:51 am

Sifting through rails of retro basics; Levis 501’s, shearling jackets,, leather belts, paisley prints; ever stopped and wondered, “Hang on, where does all this stuff come from?”

Vintage shops are acquiring mainstream status in fashion retail. MessyNessy is asking where the clothes are coming from and is it all really vintage?

Finding out the answer wasn’t as easy as I thought it would be. What became apparent quite quickly is that retailers and suppliers work very hard at concealing the truth about where ‘vintage’ really comes from.

There are two possibilities….


If you’re hoping it might come from secret vintage heavens overflowing with clothes, passed on from wardrobes of previous generations, waiting to come back into fashion– you’d be wrong.

The truth, for which I was utterly unprepared, is that a substantial majority of vintage retail is rejuvenated product from clothing recycling bins. That’s right, those big plastic bins which you often see outside of supermarkets or on street corners. The ones you wouldn’t dare give such a cruel fate to your own wardrobe rejects. Those ones.

I kid you not, our vintage is simply rubbish.

With a public relations disaster like that, it’s no wonder retailers and suppliers work so very hard at hush-hushing the details of the origins of their stock. Indeed, sources squealing on this backdoor practice prefer to remain anonymous.

Smells rather sinister.

The second possibility, less disturbing but equally disappointing, is the reality that a significant portion of vintage stock derives from what is called deadstock.


Deadstock; Never-before-used fashion produce, predominantly with all its original packaging and labeling in tact, never sold in-store and hoarded in a warehouse somewhere for over 40 years, four years or maybe… a mere four seasons.

Essentially unwanted stock, the vintage trade likes to market this as “Re-found stock”, “New-old stock”, ‘an item that simply didn’t get snapped up and we should be so lucky to have it as a result’. They might even have you believing you’ve come across a genuine retro, no-longer-available, ‘re-found’ item. It’s possible, but more often not.

Vintage is a magic fashion buzzword. It gives new life and breathes value into excess, faulty or unsuccessful stock.

Most of us would hope to be rooting out timeless collectors pieces when we shop vintage, but as the industry appears to be approaching a peak in demand, it calls for a small dose of expertise and for being very, very picky.

The problem is, vintage is becoming too mainstream for its own good and the fashion buyers are becoming much less selective, relying more on mass wholesalers to meet the increasing demand.

Wholesale companies, often buildings over 20,000 meters squared in rural areas are supplying to both independent vintage shops and retail giants such as ASOS (the online shopping mega-store expanded its range to vintage and ethical clothing in 2008 along with a 95% increase in profits).

What’s interesting is that vintage retailers who order from wholesale companies actually have little choice in the stock that they are provided with, upon their agreed price. Fast-fading is a notion of individually sourced, hand-picked clothing from another decade. That is a vintage industry of yesteryear.

Pictured above is France

Standard industry practice with ?vintage? product is to buy in bulk– and to take whatever you’re given. If a buyer was to order 100 cotton, floral-print dresses at the discounted bulk price, they would receive a ‘mix’ of dresses, typically delivered in big black or brown paper bags, all cotton (or a blend of) and all with various floral prints.

Many suppliers even sell clothing by the pound (lb). Prices depend on the ‘grade’ of the clothing.

Grade 1 means ‘very good condition’– no holes, no marks, no tears (steam and put on the rack).

Grade 2 means ‘good condition’- maybe a small washable mark, small seam tear, or missing plastic buttons.

There is no way for buyers to exercise their own quality control and the ability to choose special pieces at a vintage wholesaler is very rare.

Some shop owners try to develop a relationship with their wholesalers and pay a little extra to have trained vintage ‘graders’ put together special mixes, perhaps specifying a decade, but generally, this is a highly impersonal experience for buyers who find that wholesale representatives are generally disconnected and disinterested in fashion themselves (and often in the quality of the clothes too).

The truth of it all is that genuine, high quality, original vintage finds are getting harder to locate. Most have been snapped up by fashion designers, dealers, boutiques, stylists or heads of fashion houses, looking to find things for movies/ television or as a source of inspiration.

Vintage Savoir-Faire

If you’re serious about vintage, think like the eagle-eyed members of the fashion trade and get to the treasures before they do.

Vintage markets in the big cities, if you go early enough, are still potential gold mines with independent traders who have trawled up and down the country sourcing their clothes from other obscure vintage or antique markets.

Charity shops really are worth visiting for unexpected designer pieces, passed on from the wardrobes of local residents who would never dream of disposing of an Escada jacket circa 1980 into a recycling bin.

Vintage Chanel couture at Didier Ludot in Paris

If what you’re searching for is designer and designer only, you’ll have to pay the price. London’s finest designer vintage store in my opinion is Relik at the North end of Portobello Road, which stocks show-stopping vintage pieces by anyone from Yves Saint Laurent to Ossie Clark to Vivienne Westwood– for a pretty penny.

The backstreets of affluent Knightsbridge are also home to several ‘dress agencies’, operating on a buy-sell-trade principle, building treasure troves of second-hand designer labels from the closets of wealthy neighbourhood residents.

[Knightsbridge Dress Agencies: Pandora’s Box, Salou, The Dress Box]

1960s Chanel bag at Didier Ludot, Paris

In Paris, I found Didier Ludot on the Jardin du Palais-Royal hosting an extraordinarily large collection of vintage Chanel and other haute couture fashion houses from as early as the 30s.

Chanel Espadrilles, Didier Ludot

[More Designer Vintage Shops in Paris]

If you prefer to stick to the high street prices in vintage stores, which ideally, I’d like to as well, bear in mind a few tricks of the trade in recognising the real deal. While I would only ever buy things I like, once you get it home sometimes it’s nice to get a more specific idea of a garments provenance.

It’s in the Detailing:

– Pay close attention to how the garment has been constructed; the detail and the quality (and by the way this rule applies on all shopping sprees). Older garments are more likely to be the handmade ones, constructed with detail and care. Mass produced product may have been around since Victorian times, but it wasn’t until  post-war 1950s that women stopped being loyal to their dressmakers and started shopping in department stores. Little details to look out for that would show your vintage item is older than 60 years could be small clips in the lining to attach to bra straps or ‘poppers’ to stop the garment from gaping.

What the Labels Tell You:

– According to the Vintage Fashion Guild Label Resource, the first garments to ever feature sewn-in labels were produced in the mid 1800s. Labels are a pretty interesting way of finding out approximately how old your vintage item is by taking a closer look at the actual lettering and logo. Take the Frank Usher label pictured below; the font and design reflects classic 50s elegance and glamour.  In the 1970s however, the label changed to something slightly more representative of it’s time– let’s say a little more of a  ‘hippie and trippy’ vibe! 

– Care labels on clothes have only been a legal requirement in the last few decades and so an item lacking one may indicate a pre 1970s garment. You could also bear in mind that symbols used on the care labels in the UK are a trademark of a company that opened in 1963 called Ginetex. If you spot this trademark, you’ll know your item was definitely not made before 1963! – If you know your fashion history, don’t forget the most obvious thing; the prints and colours. A graphic “scribbled” print and colours like grey and hot pink might date an item to The 80s saw a lot of graphics pop up on clothing (we all know an 80s design when we see one) and 1970s used a lot of orange, browns and purples.

 

Don’t forget that buying vintage means being green, helping the environment by recycling garments. This article was not intended to deter you from buying vintage. Absolutely not.

I, myself am more intrigued than ever to take my newly acquired industry-insider knowledge and apply it on my next vintage shopping expedition…I hope you are too. Just remember to dry clean.

Race you there.

 

Images via Eurika Fripe website, Google image search and Retro chick

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